LiveCode London ICLC Satellite Event 2025
London LiveCode presents a night of banging beats and experimental music, visuals, and even live sculpture created using computer code. Featuring special international guests from livecoding groups across the world!
Expect to dance to blazing house music, follow techno text, listen to AI glitch DJs, be engulfed in fluid visuals, rock to code block synthesisers, nod to 3D printers pushed to their noisy and musical limits.
Featuring
Switch Angel (audio) and LOFI-SCIFI (visuals)
The Printer Jam (audio/visual/sculptural)
trampbunny (visuals)
sadkins (audio)
EverySongIOwn (audio)
SYNTƏL8 (audio)
emptyflash (visuals)
About the performers
Sara Adkins (sadkins)
@trisaratops65 on Instagram
Sara Adkins makes sound with her guitar and laptop, blending Tidal Cycles live coding with electric guitar looping. Beginning as a classically trained guitarist, her music has evolved into a unique conglomeration of glitchy ambient techno. Also an engineer at heart, Sara incorporates generative and algorithmic composition into her work, and loves pushing synths to their limits to create gnarly timbres.
Jade Rose (Switch Angel)
https://jaderose.bandcamp.com/
@_switch_angel on instagram
Switch Angel creates highly energetic performances using live code and custom instruments. She performs her unique ear-wormy blend of electronic pop, breaks, shoegaze influences, and vocal performances while coding on a laptop.
Jame Coyne (LOFI-SCIFI, visuals)
@lo.fi.sci.fi on instagram
LOFI-SCIFI is the live visuals project of boston based visual artist, Jame Coyne. Pulling from a diverse variety of influences spanning from nature to mathematics, LOFI-SCIFI crafts eerie audio reactive worlds primarily using graphics shaders and 3D rendering
Daniel (SYNTƏL8, audio)
Performing with a custom sound engine, Syntə, Daniel typically explodes/melts down in a shower of bass and home cooked time stretching algorithms all the while paying homage to…
Sumanth (Reckoner, audio)
@reckonermusic on Instagram
Reckoner is a New York-based computer-songwriter project by Sumanth Srinivasan. Drawing from krautrock, trip hop and glitch, his music is a fusion of live sampling, guitar, live coded rhythms and melodic vocals. Reckoner has released a full length album, several EPs and recently toured Asia.
June (trampbunny)
Trampbunny is a cybertranssexual who constructed xerself from spare microprocessers, audio interfaces, and lighting control surfaces. A byproduct of queer rave and low-level computations, xe communicates to human life through live coding interfaces, channelling techno witchcraft, live video sources, and MiMU glove haptic interactions to make xer presence understood.
Cameron (emptyflash)
Cameron Alexander is an artist, programmer, and scientist based in New York. His work explores the relationship between math and nature (especially in chaos, cybernetics, and fractals), esoteric states of consciousness, and the essence of reality. Cameron primarily operates with experimental media such as interactive installations, live coded audiovisual performances, and alternative-process photography.
Louis McCallum (EverySongIOwn)
Louis McCallum's EverySonglOwn project has one simple aim, to perform music using every song he has ever owned. As owning music has become an increasingly tenuous pursuit, he often relies on a hard drive of music from his teenage years. Exploring how algorithms can help map, discover, recombine and regenerate large collections of prerecorded music, expect collage, glitch, noise and some ODB. It started with a simple conceit that has developed over 5 years to encompass massive databases, hacking Tidal Cycles and at one point the entire Taylor Swift back catalog. https://soundcloud.com/skatterbrainz
BITPRINT (Evan) & Project Cassiel (Nick) — The Printer Jam
The Printer Jam (Project Cassiel X BITPRINT) is a performance duo using livecoding to take advantage of the unintentionally musical mechanical motions of 3D printing. The performers create 3D printed objects that activate the printer motors at certain musical pitches and rhythms which are captured live, processed and looped, building up both physical objects and brooding, brutalist soundscapes. Each performance and its resulting artefacts are unique experiences for audience and performers alike.